When it comes to urban sketching, there is a world of tips and techniques to make your experience easier and better. From choosing handy tools to clever ways to paint: from sneaky ways to master perspective to knowing when to use the right ink for the right pen, there are myriad things an experienced instructor can share with their students. This workshop is all about practicality: producing results that look fantastic but are actually easy to do…with the right know-how.
Join me in Dublin City this Spring, March 20th – 23rd, 2020 and I will share some of the things I’ve learned with you. It’s pretty cold in Dublin in March, so the locations we’ll visit are indoors – but roomy enough for everyone.
We will meet to say hello and have a drink and possibly a bite somewhere in Dublin City Centre. I will let you know when I have arranged somewhere nice.
After our morning debrief, we will head to the magnificent St. Patrick’s Cathedral on Patrick’s Street, where Jonathan Swift (Gulliver’s Travels) was Dean in the 18th Century. There are plenty of challenges for a sketcher in terms of breaking down a very complex scene, and I will show you straightforward ways to tackle them in the huge, but warm and pleasant, surroundings of one of Ireland’s most famous cathedrals.
There are many places to eat or explore in the immediate vicinity. Christchurch is almost across the road, and the colourful and characterful Liberties area of Dublin is nearby, with Ireland’s main art college, NCAD – my alma mater – just a street away.
Enter Marsh’s Library and you step back 300 years. It is as if time has stood still: the smell of the ancient books, the fact that nothing, but nothing, has changed throughout all these years. This is where Bram Stoker (Dracula) spent much of his time…perhaps you’ll come away with your head full of scenes of 19th-century Transylvania, as Mr. Stoker did! After a short guided tour, we’ll take up our spots and get sketching. We can use dry materials only here – those books are precious – so the emphasis will be on inks and drawing….and, when necessary, how to paint afterwards and still retain freshness.
Dinner – free to make your own plans
Dublin City is busy and fast-paced but once you’re through the gates of Trinity, you’re safe – it’s not exactly calm, but it is traffic-free and certainly quieter than the streets beyond the walls, and there’s loads of room for us all.
The Library at Trinity is worth a visit: similar to Marsh’s Library but on a much bigger scale. Admission is €16 for an individual, but if everyone in the workshop would like to go we can get a group rate of €12 (available for groups of 10 or more). The original Book of Kells has not been on display for a few months, but should be back by the beginning of March, so we have a good chance of seeing the original. Please let me know if you would like to visit the library so that we can plan our visit. If the weather does not permit us to sketch outdoors, there will be an alternative venue arranged in or near Trinity.
The grounds of Trinity are magnificent. Everywhere you turn there is another elegant Georgian building. Rows of windows can be off-putting, but I have a practical way to draw them easily and accurately. I’ll show you how to capture the play of light and sunshine across the panes – and share my tips and materials for making those panes stand out. Very useful for the many windows you’ll encounter in your travels.
I will show you my technique for including people in a busy scene: how to get their scale right, even as they’re in motion.
The National Museum is where you’ll find golden torques, bog bodies, the Ardagh Chalice and other precious treasures from Ireland’s past. It’s another “dry” location, so we’ll concentrate on drawing. I’d like to let you in on ways I approach structures that look complicated but don’t have to be: how to involve different planes to make an exciting, dynamic scene where you make “perspective” look easy.
Dinner – free for everyone to make their own plans
On Sunday morning we’ll meet in Bewley’s Café on Grafton Street for a debriefing, but we’ll also have a hearty breakfast / brunch, because the lunch break will be shorter today. Bewley’s is iconic, old-world, beautiful, and you’ll want to try your hand at sketching your surroundings. I’ll give you some tips for drawing your coffee or tea so that you’ll always be able to capture a nice foreground, wherever you happen to be. You might also try your hand at sketching a few of the customers – or each other! – and I will share some of my tips for getting people at close quarters drawn quickly and expressively.
Please remember to purchase something in Bewley’s: we will be a large group, spending over an hour there, and it’s important that the proprietors and staff smile when they see sketchers coming! I must say that a scone I had there with butter, jam and cream (I’m afraid so!) was one of the best I’ve had – and there are loads of coffees and teas on offer to tempt you.
On Sunday morning we will head to the National Gallery of Ireland, where we’ll see the best of Irish art, and some beautiful art from around the world. It’s fun to draw in galleries – the weather isn’t always right for sketching outdoors, no matter where you live – and they can be great places to practice common surfaces such as marble, polished wood and stucco…not to mention the visitors (and their reflections in those shiny floors) who are guaranteed to give you a minute or two to capture them before they move onto the next painting.
Lunch 1.00pm-1.45pm (optional)
The National Gallery has a large café with lots of choice. You can have a quick lunch here before our next stop. This lunch break is shorter than the others because of the later start, but we will have recently come from the wonderful Bewley’s!
This Victorian building is a treasure trove of natural delights: skeletons, stuffed mammals and birds, bottled specimens…a real Dead Zoo. It’s a great place to have fun with non-narrative compositions, which is to say adding whatever you like, wherever you like, according to your whim. Matters of scale and sequence are cast to the wind for this session, and it’s truly a place to have some sketching fun and express who you are.
Dinner at Wagamama @6.00pm – join if you wish!
The people who run the National Museum have very kindly allowed us to come and sketch in the Natural History Museum on Monday morning, when it is closed to the public. We will have access to the balconies and generally have the place to ourselves. That is why I would like to invite you to sketch there with me on Monday morning. This is an unstructured, informal session, and you can come to me and ask me for help with any issues you have. Everyone will be free to sketch exactly as they please, which is a lovely way to end a workshop, as it can be intense, not to say tiring. I will start with a discussion of how I will approach my sketch for the day, followed by a demo. You may then follow that theme or do your own thing – it’s up to you!
The workshop starts at 9.15am on Friday 20th March and ends on Monday 23rd March at 1.00pm. The cost per person is €360. While a non-refundable deposit of €100 secures your place immediately, the balance is due by February 14th 2020.
You will need specific materials for this workshop. You may have many of them already. Here is a list:
There is lots to do for any sketcher’s companion in Dublin. Guided tours of the city and the old distilleries and museums are everywhere. Take the train north or south of the city to beaches or hills. There really is something for everyone.
Accommodation in Dublin City can be expensive so if you’re interested in this workshop do book as soon as you can. Some accommodation can be booked through booking.com below. The city centre is easily accessible by light rail, so anywhere along the Dart (as it’s known) is very convenient.
(1) Places in the workshop are strictly limited to 12 adults over the age of 18.
(2) This workshop is based on a minimum of 7 people attending.
(3) The workshop will be conducted in English. French and Spanish translation is available from Róisín upon request on the day.
(4) The workshop will take place between 4.00pm on Friday 11th September and 1.00pm on Tuesday 15th September 2020.
(5) It is the responsibility for the attendees and their companions to make their own way to Green Farm Spa on the first day at 4.00pm and to arrange their own departure after the workshop ends.
(6) Please arrange your own insurance. You should arrange to insure against problems in all aspects of your travel, including flight cancellation, health problems, baggage loss or damage, or cancellation of the group tour booking.
(7) The itinerary may be adjusted to accommodate unforeseen changes to the schedule.
(8) The weather may dictate that we have to change the programme. If this is the case, then suitable adjustments to the programme will be made, so that the workshop can continue.
(9) We do not provide any art materials to the participants as standard. Please bring these with you. We will list the items we think you should bring. If you wish us to source some art materials for you, then we can do this, at your own expense. Please contact us if you want us to get anything for you.
(10) We will not be held responsible for theft or damage caused by others during the workshop. Please ensure you are covered by insurance for these eventualities.
(11) We cannot be held responsible for events beyond our control, such as floods, epidemics or pandemics, power cuts, storm damage, water shortages, drinking water contamination, leaks etc. We will try to help if we can to resolve any issues that arise.
(12) Róisín Curé Art reserves the right to change the location in the case of force majeure. The customer shall inform Róisín Curé Art in writing whether he or she chooses to withdraw or to benefit from the alternate package within and not after 2 days from receipt of the alternate proposal. Should the customer fail to accept any variations, Róisín Curé Art shall return only the sums of money received within 7 working days from receipt of the communication from the customer.
(13) Damage and Charges. Attendees and their companions are required to act in a responsible manner at all times. Róisín Curé Art reserves the right to recover from clients the cost of any loss or damage caused by a failure to respect the property, fixtures, or fittings in the sketching locations.
(14) We cannot be held responsible for force majeure including (but are not limited to) strikes, breakdowns, illness, accidents, disease, volcanic dust clouds, storms, war, terrorist acts, riots, floods, etc. (15) All deposits are non-refundable once paid. This is to enable Róisín to plan the course effectively. However there is a schedule of times within which refunds in stage payments can be returned.